Abigail Solomon-Godeau. · Rating details · 22 ratings · 2 reviews. This study examines the politics of photographic criticism, history and practice. Abigail Solomon-Godeau has set as her task the examination of the politics of photographic criticism, history, and practice. Photography at the Dock is a. Presenting two decades of work by Abigail Solomon-Godeau, books, including Photography at the Dock: Essays on Photographic History.
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Readers may not fully agree with many of the opinions expressed, but the author is well informed and highly literate. The number of copies requested, the school and professor requesting For reprints and subsidiary rights, please also note: Univ of Minnesota Pr March 1, Language: However, formatting rules can vary widely between applications and fields photogrraphy interest or study. Nebras marked it pgotography to-read Jan 07, If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.
Jess Longworth marked it as to-read May 27, English View all editions and formats. Title of the journal article or book chapter and title of journal or title of book 3. The E-mail message field is required. No trivia or quizzes yet.
In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers.
Duncan Wooldridge rated it it was amazing Dec 27, Categories, Careers, and Commerce Your volume title, publication date, publisher, print run, page count, rights sought. She considers also the place of photography within post-modernism, tracing its evolution from a critical practice to a stylistic option.
Your request to send this item has been completed. Framing Landscape Photography 8. Thomas Wilder rated it it was amazing Oct 12, Abigail Solomon-Godeau ; Linda Nochlin.
If book has an editor that is different from the article sollmon, include editor’s name also. It is a revisionist approach to the history of photography, a critique of photographic modernism and the institutions promoting it, and a feminist exploration of the camera’s role in producing and reproducing dominant social and sexual ideology.
Photography after Photography | Duke University Press
Other editions – View all Photography after Photography: The author is well informed and highly literate. ComiXology Thousands of Digital Comics. Some features of WorldCat will not be available. Refresh and try again. This, in turn, includes themes concerning the massive production of photographic erotica and pornography that are taken up and considered in relation to contemporary feminist theory and art practice.
Spectacles of Realism Gender, Body, Genre A rethinking of realism that reveals its relevance to sexual and cultural politics. Among her subjects are the Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Maninsofar as these illustrate photography’s embeddedness in social relations, viewing relations, and ideological formations.
Photography at the Dock
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Marianna Vardanyan marked it as to-read Sep 06, Rose rated it really liked it Feb 24, WorldCat is the world’s largest library catalog, helping you find library materials online. To see what your friends thought of this book, please sign up. Your list has reached the maximum number of items. Fotografie View all subjects. Gossipinggabi marked it as to-read Dec 01, Abigail Solomon-Godeau Linda Nochlin. English Choose a language for shopping.
The Family of Man: Books by Abigail Solomon-Godeau. Create a reading list or add to an existing list. Nicola Benford rated it it was ok Sep 04, Some questions about documentary photography — Reconstructing documentary: No eBook available Amazon.
Among her subjects are the Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Maninsofar as these illustrate photography’s embeddedness in social relations, viewing relations, and ideological photographyy. Page numbers if excerpting, provide specifics For coursepacks, please also note: Considering the role of cultural institutions–art historians, collectors, and dealers in construction histories of photography–Solomon-Godeau critiques such institutionalized aesthetics while offering an implied counter-history of the medium.
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