Background: Susan Sontag was a famous essay writer as well as an experimental novelist, short story writer, film writer, director, and photographer. Her work. Susan Sontag: On Photography; America: Seen Through Photographs, Darkly It was stressed by Sontag to compare Diane Arbus’ Woman With a Veil on Fifth Avenue and Lartigue’s Racecourse at Nice America, Seen Through Photographs, Darkly As Susan Sontag observed in her essay – which gives its title to that of the conference – the work of many of the.

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Susan Sontag: On Photography; America: Seen Through Photographs, Darkly

Whitman wanted to see all of humanity as a homogeneous whole, welded together by commonality instead of separated by superficial distinctions. Arbus seems to have focused more on the experience of the photographer than on the actual subject of the photograph. This section contains words approx. To Whitman, the trivial was important and it was critical to accept the real.

Arbus was reacting against the status quo in all senses: For example, the boy might have just been frightened while playing outside, giving him the awkward smile and unkept appearance. Sontag also argued that the context shapes the interpretation of the photograph.

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When I looked up these images I stumbled upon an article that has a completely different view on Arbus’ work and has changed my look on her as well. Through photographing traditionally less than beautiful subjects, Arbus was arguing and supporting Sontag’s argument that everything is beautiful. View the Lesson Plans. Who are the REAl freaks? The thrill of observing Arbus’s work is the success of observing them without impedance. The presentation of the artist as the central point of an artistic work is fascinating but only works to certain degrees.

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Seen pictured here is a man with no limbs who manages to get around just fine, shave and even lights a cigarette and smokes in one scene. The work of Diane Arbus, for Sontag, was far different from what Whitman envisioned and Stieglitz attempted to realize.

On Photography – America, Seen Through Photographs, Darkly Summary & Analysis

Darklyy thinking applied towards photography contends that photographs that are not of inherently beautiful subjects are more meaningful, because the beauty in them must be searched for. I had already planned to write a blog post about Diane Arbus and been looking at her images, read a few websites etc, when I stumbled on the chapter ‘America, Seen Through Photographs, Darkly’ in Susan Sontag’s ‘On Photography’.

The majority of people in this film actually have something seriously wrong with them physically. Sontag cites Walt Whitman’s work as evidence of an emerging trend in democratizing all aspects of art.

Knowing too much about the latter can cloud ajerica of the former.

She shows that Diane Arbus’ work is mostly a result of her own voluntary consciousness. I can’t say I’m the biggest fan of Arbus based on what I know from this essay, but that is why it’s always a good idea to become familiar with an artist’s work before becoming familiar with their ideology.

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But this importance varies in culture and history, from the pursuit of “worthy” subjects to the Andy Warhol stance of “anybody is somebody”. Hey, I read a lot of blogs on a daily basis and for the most part, people lack substance but, I daarkly wanted to make a quick comment to say GREAT blog! As people are more exposed to shocking things, the element of shock decreases, thus allowing more acceptance on the part of the viewer.

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To find out more, including how to control cookies, see here: While the Whitman heritage strove for a universalization of the human condition, Arbus fractured this unity into isolated fragments of anxiety. With Lartigue, the women are staring off into the distance and sort of romanticized and implied as being beautiful even though their faces are not shown in the photograph. Sontag discusses how several things are that are suppressed in our society later become integrated into our society images of death and dying, for example.

I don’t feel I have the capacity to express my thoughts and gut feelings in the same way the authors of these articles have done. Even pain and terrible atrocities are presented in the same way, as ‘Art that is a self willed test of hardness’ High art in capitalist countries is there ‘to surpres, or at least reduce moral and sensory queasiness.

Order our On Photography Study Guide. Diane Arbus fashioned her own, cogent critique of American mores, enlivened by an absorbing inversion of finite sexual roles and gender imperatives.

She starts off with the vision of Walt Whitman who rejected the distinction between beautiful and ugly for a cause of seeing America united in perception.