Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page hen the German Jesuit Athanasius Kircher arrived in Rome in , his definitive work The Egyptian Oedipus (Oedipus Aegyptiacus), comparing himself to the. Creator: Kircher, Athanasius (German draftsman, engraver, and scolar, ); Collection: Images Oedipus Aegyptiacus: Isis, Great Mother of the Gods.

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Kircher oedipus aegyptiacus 4 serapis. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. This is a faithful photographic reproduction of a two-dimensional, public domain work of art.

Description Athanasjus oedipus aegyptiacus 27 moloch. By using this site, you agree to the Terms of Use and Privacy Policy. The official position taken by the Wikimedia Foundation is that ” faithful reproductions of two-dimensional public domain works of art are public domain “.

Athanasi Kircher’s Oedipus Aegyptiacus Tom IIA and part Tom IIB

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. Oedipus Aegyptiacus is Athanasius Kircher ‘s supreme work of Egyptology.

Articles lacking in-text citations from January All articles lacking in-text citations Commons category link from Wikidata. By using this site, you agree to the Terms of Use and Privacy Policy. His sources for the hieroglyphs themselves were hopelessly inaccurate: Although the Vatican Library had assembled a large collection of Coptic manuscripts over the centuries, almost no one in seventeenth-century Rome was able to read them; with the powerful Ottoman Empire in control of Cairo and most of the eastern Mediterranean, contact between Italy and Egypt had become precarious, dependent on crossing seas patrolled by the clashing forces of the Turkish navy and the Knights of Malta, and marauded by legions of pirates, both Christian and Muslim.


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Athanasius KircherOedipus Aegyptiacus Theosophia Metaphysica seu Theologia Hieroglyphica, pg This article includes a list of referencesbut its sources remain unclear because it has insufficient inline citations. Kircher oedipus aegyptiacus 18 ammon herm. In other projects Wikimedia Commons.

Athanasius Kircher, from a athanaxius history of the Jesuit Collegio Romano. Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus years or less.

Athanasius Kircher’s

Kircher oedipus aegyptiacus 14 artemis of ephesus. Oedipuson the other hand, disguised as a definitive encyclopedia of ancient Egypt, put on qegyptiacus monumental show.

This tract, whose rediscovery athanaaius caused a considerable stir in the fifteenth century, was written in Greek, the bureaucratic language first imposed on Egypt by the Ptolemies and continued by the Romans. Views View Edit History. Instead it offered a prelude to the imminent Egyptian Oedipus ; Kircher was by now aehyptiacus astute publicist, for his order and for his own work. This is a faithful photographic reproduction of a two-dimensional, public domain work of art.

Kircher, “Oedipus Aegyptiacus” Wellcome L Remember me on this computer. The former approaches organize knowledge and mystical experience, while the latter are rightly considered an essential element in Jewish religious focus.


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Kircher oedipus aegyptiacus 7 horus. Oedipus Aegyptiacus Drawings of Isis 17th-century woodcuts.

Klrcher, Kircher’s remarks applied pythagorean principle to reading the hieroglyphs of the Pamphili Obelisk. Figure of the cosmos, from Athanasius Kircher, Oedipus Aegyptiacus The Bembine Tablet is a bronze and silver tablet depicting various Egyptian gods and goddesses. Public domain Public domain false false. Now at last, as he declared in his preface to what was in effect a textbook of the Coptic language, he could embark upon his comprehensive Egyptological treatise, Egyptian Oedipusin oedipuus.

Copyright the University of Chicago.

Before the press of Vitale Mascardi could produce Kircher’s monumental four-volume Egyptian Oedipusthe tireless father, now happily ensconced in a rhythm of phenomenal productivity, issued yet another preliminary study on Egyptian antiquity, this one dedicated to the pope himself on the occasion of the Jubilee.

Aside from its papal backing, the press of the Propaganda Fide presented another immediate advantage for the Coptic Forerunner and its author–it had a set of fonts in exotic types: Both the Collegio and the Society of Jesus devoted intense effort to the search aegyptiacua a universal language by which they might communicate the Gospel to the wider world, and in this search Egyptian hieroglyphs, with their easily recognizable images, had always seemed to present a potential model for a universal script–if only someone could understand what they said.