Lip Flexibilities ** For All Brass Instruments ** Bai Lin ** Full Score – Study ** Performing Ensemble: Trumpet Unaccompanied ** Instrumentation: Brass ** Item . View and download Bai-Lin(1).pdf on DocDroid. Description. This Professor of Trumpet at the Central Conservatory in Beijing, China has composed an extraordinarily well organized page book of flexibility .
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Overall these are gai great books, and well worth studying. A Progressive Method of Flexibility Exercisesnewly revised and published by Meredith Music cover image linked from http: We will not publish your email. The air should be fluent and steady consistent. Special thanks go to Michael Helman for pointing out this publication to me. Learn how your comment data is processed. Cancel reply Your name, email address, and comment are required.
Next is to start a half step up from the beginning of the exercise on T23, working my way up to T0. This site uses Akismet to reduce spam. This will avoid hurting your embouchure or learning to play incorrectly.
In his Preface, Professor Lin offers some excellent words of advice for practicing lip slurs — or anything else. During practice sessions your embouchure, throat and tongue should be naturally relaxed and flexible.
Though written by a trumpet player, as the title suggests the exercises contained here are beneficial on all brass instruments. Briefly, some of the benefits of practicing lip slurs include:. Notify me of new posts via email. Do not attempt to play in too high a register. As with all lip slurs, the level of difficulty varies widely depending on the level of execution. On a triple, I then continue higher on the high F horn, starting on T and going up as high as I can.
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Worth area, and has published numerous articles in The Horn Call. Now […] Like Like. He also has a very informative website about the history of horn playing in Los Angeles.
Lip Flexibilities (Bai Lin) — Balquhidder Music
In his introduction, Hilliard provides some valuable insight into the art of playing beautiful slurs. You are commenting using your Twitter account. Though ubiquitous in method and etude books for brass instruments, these two publications really cover the topic in a progressive, systematic way.
Fill in your details below or click an icon to log in: Dynamic and tempo markings are not included, but I would assume that these should be added and freely altered depending upon your own needs and capabilities. Facebook Twitter Reddit Print Email. For horn players, the book would make a fine supplement for developing accuracy and flexibility in the high range the lowest pitch is an f-sharp below the staff.
Manipulating the air stream is key, not only in hitting the pitch but also in voicing each note with a full and ringing sound. EtudesRepertoireReviewsTechnique. You are commenting using your WordPress. Your name, email address, and comment are required.
Combined with effective practice and thoughtful instruction, lip slurs can be used to develop tone, technique, range, and more! Always try to produce your most beautiful tone. If you feel your embouchure is tiring or is uncomfortable, you should choose an easier section to practice.
You are commenting using your Facebook account. By continuing to use this website, you agree to their use. This site uses cookies. Enter your comment here Discovering the right approach to the peculiarities of each exercise will maximize both the enjoyment and benefits of this book.
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A balance between variety and accessibility has been used to challenge the ear and combat the monotony of the typical lip slur exercise while maintaining a logical and musical shape to the phrase. The exercises begin simply with half-note and quarter note slurs, beginning on open notes and moving downward through the harmonic series.
236117893-Bai-Lin(1).pdf
I start out each as written on the open F horn, extending down to the fingering, then continue down using the B flat horn, down to T Post was not sent – check your email addresses!
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Among the more flexbilities exercises, there is a wide variety of lip slurs that focus on very specific skills. Subsequent patterns expand both in range and rhythmic complexity, and the final exercises are truly virtuosic. The following HTML tags can be used in the comment field: