Print and download in PDF or MIDI Solfeggietto in C minor. Solfegietto in C minor by Carl Phillip Emanuel Bach. The apple never falls far from. Print and download in PDF or MIDI Solfeggietto in C Minor – C.P.E Bach ( ). Made by classicalmusicforever. C P E Bach ( – ) was the second son of the great Baroque composer, J S Bach. Musical style did not, of course, suddenly change from being Baroque.
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This solveggietto is relatively easy to memorise since it features repetition in different keys. The student could practise the main theme in these various keys to begin with, taking great care to use consistent, careful fingering. The arm should move with the hand rather than allowing the wrist to undulate and bend in unnatural positions.
C.P.E Bach-Solfeggietto sheet music download free in PDF or MIDI
Final Performance An excellent performance will be quick yet controlled and neat. Heavily edited with spurious additions. The first duty of the teacher is to ensure that the student uses a copy of the music by a reputable publisher, since this piece has been subject to massive cpf in some editions, making it more difficult to play without adding any musical enhancement.
Phrasing The phrasing moves mainly in two-bar unit according to harmonic sequence, although there is very much a feel of continuous movement rather than foursquare structure. The technique of playing scales and arpeggios is of paramount importance in this piece, since these feature largely throughout. Another pitfall is to change the fingering instead of keeping to the same, consistent pattern. The main theme, with its characteristic arpeggios and scales has a C minor opening; there is a modulation to G minor, ready for Bar 9; the main theme is restated in F minor at Bar 17; we return to C minor for the ending.
Troubleshooting The sequential nature of Bars 1 – 4 make it all too easy to just keep going up the keyboard, extending the pattern too far and, in effect, re-inventing the music! Musical style did not, of course, suddenly change from being Baroque in style to Classical and C P E Bach’s work may be regarded as a transition between the two periods.
This file is part of the Sibley Mirroring Project.
Carefully chosen fingering, adhered to meticulously, can often mean the difference between success and failure in a quick-tempo piece. Edited and with piano left hand optional version included in addition. Creative Commons Attribution-ShareAlike 4. This is definitely a choice for the student who loves to play fast, since this is a rewarding piece that lies well under the fingers once known.
Barely perceptible pedal may be used to enrich the tone of the semibreves at Bars 22 – 24, as long as the following semibreves are not blurred. Bach and Michael Christian Bock, The dynamics and balance between hands in this performance by Paul Barton are interesting too:.
There will be appropriate use of detail, although the pace may be on the cautious side or perhaps the tempo will be quick but at the expense of c;e control. Fingering must have become automatic long before a performance. Bach, Carl Philipp Emanuel.
Musikalisches VielerleyNo. A sound performance will have secure, mostly precise accuracy, with any small slips not affecting the flow. The most important thing s to remember about playing scales and arpeggios is to keep a healthy hand position.
This is a sure recipe for stumbles in accuracy and even a breakdown in fluency, since the music is too fast to allow for conscious thought. As always it is better for a student to play the ornamentation in a neat, controlled way that does not disturb the flow, even if this means simplifying it. Bear in mind that editions of this work are often over-edited and those bars may or may not be marked staccato. Editor Pierre Gouin – Contact.
It’s exciting to play and to listen to this piece played at a fast pace but the speed has to be one that a student can manage in a controlled way.
Technique Solfeggiftto technique of playing scales and arpeggios is of paramount importance in this piece, since these feature largely throughout. The phrasing moves mainly in two-bar unit according to harmonic sequence, although there is very much a feel of continuous movement rather than foursquare structure.
Editor Emil von Sauer Bach C P E – Solfeggietto.
Fluent arpeggio playing is essential, along with a sense of bravura and confidence in tackling such a well known show-piece. These file s are part of the Werner Icking Music Collection.