Dancing Through the Minefield: Some Observations on the Theory, Method, and Politics in Feminist Literary Criticism: Annette Kolodny: “Dancing Through the. Annette Kolodny quotes. Quote:”Dancing through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Literary Criticism” . Dancing Through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Annette Kolodny – – Feminist Studies 14 (3)

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These include the ability of legislators and administrators to make uninformed decisions about budget cuts without realizing the effect of such cuts on quality education; a myriad of problems about tenure and promotions processes, which Kolodny believes still reflect an attitude antagonistic to women or ethnic minorities; a problem with anti-feminist and anti- intellectual harassment; the lack of support available for students with children; the extent to which women and non-whites are still considered outsiders on university campuses; and the effect of an outdated curriculum in the face of greater demographic diversity and changing student learning needs.

After serving as dean of Humanities for five years at the University of Arizona, Kolodny wrote this book in order to outline some of the problems facing academic thorugh. The Yellow Wall Paper. The Western Literature Association awarded the book the Thomas Lyon Prize as “the best book in Western literary and cultural studies published in Both Bulkin and Patterson believe that Kolodny, while speaking to women in her essay, is only speaking to a certain group of women — those who are white, middle classand heterosexual.

Likewise, The Land Before Her exemplifies the same ideas from a different point of view in the ideal of the domestic tge, or the altering of nature.

There were no triumphant heroes of the order of Daniel Boone or Davey Crockett ; koloxny, the narratives of these women focused on the triumph of domesticity and order in a wild land. Gale Research Company,p.


Annette Kolodny – “Dancing Through the Minefield” | literary theory dance party

June Howard – – Feminist Studies 14 1: While she does not specify that alternative critical approaches should come from different dsncing or sexualitiesthere is no reason why they could not and such inclusion would only increase the scope of the “broad critical awareness” [7] mentioned above.

As an example, literary history is a fiction which we recreate daily when we read it. Minefielc have to establish new norms of evaluation of our works of art by developing our critical methods of evaluation which we used before.

Feminist Criticism in the Wilderness.

Defining Women Through Feminist Practice. This is a common criticism of second-wave feminism: Because of our changed assumption, circumstances, and requirements, we get different meanings and different interpretations even if we read the same text different times.

Literary works about feminism criticism always interest me. Feminism and Literary Study: The essay emphasizes the real situation of dancibg women. Kolodny suggests that if we are going to establish canon functions, first of all we have to forget our own making.

I was quite taken with this excerpt from Kolodny. While there can be no single ideology to which all feminist theories belong, Gardiner writes, there are some strong ideological concepts that define areas of feminism. Patterson states that “despite its language and intent, [the essay]…represents classistwhite, and heterosexist attitudes which are common in feminist literary criticism and which contradict the best of feminist thought and the aims of dancign women’s movement” Patterson, Feminism and the Academic Minefield in the s.

In other words kolodnyy traditional roles.

Ackerly – – Cambridge University Press. The projection of female imagery onto the landscape was essential to its colonization, she argued; in her introduction, she asks, “was there perhaps a need to experience the land as a nurturing, giving maternal breast because of the threatening, alien, hhe potentially emasculating terror of the unknown? Pluralism in this context refers to a conscious effort not to limit oneself to a single kkolodny approach when reading a text.


Because of our changed assumptions, circumstances, and requirements, we get different meanings and interpretations of the same text even if we read the text at different times individually or by groups.

Annette Kolodny

By using this site, you agree to the Terms of Use and Privacy Policy. Fine literature by women writers, is a result of their researching of the past.

Book two, “From Promotion to Literature, —”, follows attempts to encourage women to move westward by male writers to western narratives by the women themselves. This page was last edited on 29 Augustat Jonathan Mineefield – – Paragraph 14 3: But the emphases were different…Avoiding for a time male assertions of a rediscovered Edenwomen claimed the frontiers as a potential sanctuary for an idealized domesticity. In other words, now is the time to switch our traditional roles.

Kolodny specifically refers to a feminist pluralism, which validates “multiple interpretations of various texts” kolodng according to the usefulness minefiels a pluralistic view of a text.

Literary histories define the major, minor, and ignored texts according to their own social values and conventions, not out of any inherent aesthetic value on the text itself. Her major scholarly writings examine the experiences of women on the American frontiers and the projection of female imagery onto the American landscape. The feminization of the land and the images of the earth as a passive, giving female figure show the social ideas that ecofeminism protests against. From the Publisher via CrossRef no proxy jstor.

In “Dancing Through the Minefield”, Kolodny kolpdny this theory to the literary canonthose works of literature that are considered appropriate for study.