This Pin was discovered by Tania Cavenecia Torres. Discover (and save) your own Pins on Pinterest. Rafael Santa Cruz (29 September – 4 August ) was a renowned Afro- Peruvian musician and author of the book El Cajón Afroperuano on the cajón. el cajon afroperuano rafael santa cruz pdf. Quote. Postby Just» Tue Aug 28, am. Looking for el cajon afroperuano rafael santa cruz pdf. Will be.
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Rafael Santa Cruz (Author of El Cajón Afroperuano)
Cocodrilo Verde Ediciones,Santa Cruz was a recognized promoter of the cajon. We spent hours with two cameras and six ears, listening and interrogating this storyteller, generously welcomed in his elegant Republican house in the Chorillos neighborhood that lies in the South of Lima. Booker thankful for support in the passage of historic anti-lynching bill. Seldom had we come out so astonished from an interview.
The instrument was, for most of its history, solely relegated to the realms of Afro-Peruvian music.
el cajon afroperuano rafael santa cruz pdf
Social Media Twitter Facebook Tweets about ” nyamnews”. Santa Cruz died suddenly of a heart attack at age 53, just this past August.
When he intends to correct history, he does so with the modesty of a researcher whose writings are mainly based on the few historical records kept of a marginalized community. Another theory holds that the cajon is actually similar to boxlike instruments that were traditionally used in Angola.
el cajon afroperuano rafael santa cruz pdf – PDF Files
His line of thought follows the flow of an oft-repeated lecture, dimples appearing and arms swinging at the pace of his words, for hours and hours. He had a knack for gathering local talents but was also intent on creating bridges with other countries.
Minimum wage rising in 20 states and numerous cities, including NYC. He was, above all, our friend. There are numerous theories about the origin of the cajon.
The country of Peru has slowly come to recognize a treasure in its midst. Our thoughts and friendship go to his family and his friends.
The instrument is a wooden box or drawer that drummers straddle while tapping with an open palm or fingertips.
Inhe organized the gathering of cxjon, cajon players during the International Peruvian Cajon Festival. Rafael knows his subject — he wrote a book on it — and can sidetrack for hours without ever losing the attention of his audience and always with sheer generosity.
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Rafael Santa Cruz
In Ritmos Negros del Peru, he is the wise voice of the researcher, the authority of history, and the militant-musician. One can feel his warmth from the first handshake and his friendliness from the first embrace. Enslaved Africans in Peru are believed to have used old shipping crates and turned them into santz because there was a ban on African music, Spaniards believing it might help slaves organize uprisings. The upcoming ceremony will also pay homage to recently deceased actor and musician Rafael Santa Cruz, as well as to singer Jose Escajadillo, who has written over waltzes.
His presence is reassuring, impressive, fascinating.
Rafael left us on April 4 th, a little over a year since our first meeting. But today, with its national recognition, Peru promotes use and knowledge about the cajon in its schools and museums and through countrywide programs.