Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page Telemann Fantasias: a feat of ingenuity and inspiration examples for flute such as Schickhardt’s L’Alphabet de la Musique, twenty-four sonatas in all major. ANTÔNIO CARLOS PORTELA DA SILVA first three of Telemann’s 12 Fantasias for Solo Flute. . ii) Revised edition of Telemann Fantasias 1, 2 and 3.
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12 Fantasias for Unaccompanied Viola | SHAR Music –
In other projects Wikimedia Commons. Barenreiter Verlag He published a set of twelve fantasies for solo flute ineach in a different key in ascending order, and then a couple of years later a similar set for violin, again all in different keys, but without tantasias ascending format.
Telemann’s violin fantasias exhibit mastery of not only compound melodic lines, but also of idiomatic writing for violin, [4] as Telemann himself was a self-taught violinist.
B major, C minor, F minor and F-sharp major. In the s, he became very interested in the possibilities of writing for a solo instrument without any bass.
His facility in writing idiomatic instrumental music for almost all instruments then in use was legendary, and we can hear that clearly in his writing for the viol in these fantasias.
Creative Commons Attribution Non-commercial 3. Introduction English The viola da gamba is a most remarkable instrument: This page was last edited on 22 Julyat Although the first page says “Violino,” and even though every piece, like most Baroque flute music, is performable on the violin, these are the Telemann solo-flute Fantasias.
From Wikipedia, the free encyclopedia. Many of his publications came out in weekly or monthly installments, encouraging the public to continue buying until the particular work they wanted was complete.
Between andhe issued no fewer than 43 publications. Views Read Edit View history. It is fantzsias of Telemann’s collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in —33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same fahtasias inbut were considered lost until a copy of the print was found in a private collection in by viola da gamba player and musicologist Thomas Fritzsch.
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The same year, he published another set for viola da gamba, in the same format as the flute set, with mostly ascending keys, but starting at C. Fantasia 8, 1st mouvement m. Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. He has, indeed, described the collection as “12 fantasias [ Views Read Edit View history.
Lilypond source filesLilypond source files modified to compile on Debian Jessie and a version transposed for recorder. Performer Pages Tokinori Yanagita baroque flute.
Telemann, Georg Philipp – Twelve Fantasias – for Viola – arranged by Alan Arnold – Viola World
Having six strings and later seven and tuned in the same way as the lute gives the instrument the ability to express both lyrical melody and harmony with chords, and many composers sought to combine both elements. Telemann deliberately avoided keys that are impractical on the one-key flute, i. July Total duration: It is remarkable that the solo bass viol, already having such a large repertory without mentioning the chamber music or the consort music finds itself enriched even more with a large body of important and excellent works by a leading composer of the high baroque.
And when he travelled to France in to present these works, he was ecstatic at the abilities of the great French virtuosos who played them: Much of the music reveals the influence of Italian sonatas and concertos, but the typical tendency of German solo violin music to rely on polyphony is still present: Retrieved from ” https: Creative Commons Attribution 3.
By using this site, you agree to the Terms of Use and Privacy Policy. Retrieved from ” http: In it was announced that it had been found and that a new publication would d issued the following year, together with a recording; and they were first performed during the Mecklenburg Telemann Festival in March These file s are part of the Werner Icking Music Collection.
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