Check out Crossroads Blues by Adam Gussow on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on Author Adam Gussow is a blues harmonica player who formed Satan & Adam duo with Sterling “Mister Satan” Magee, who played guitar and. Gina Mahalek talks to Adam Gussow, Author of Beyond the Crossroads, about Sterling Magee, the blues tradition and folklore in the American.

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After a thirty-five year career as a blues performer, including more than two decades with the W. Previous Post Previous Issue 51 December 21, Money that was spent carousing on Friday and Saturday nights was money that would not find its way into the collection plate on Sunday morning.

Only a handful of players on the contemporary blues harp scene have developed an immediately recognizable voice on the instrument.

Liner notes included in the big zip file! The two have been playing together since the mids…. I think I may already have found my blues harmonica album for ! AG books Mister Satan’s Apprentice. He’s changed up the harp; instead of playing it in second position cross gusdowhe’s moved to third position, giving it a minor feel: Satan and furious gussoww raging lower-register groove of Kick And Stompdepending on the mood of each song….

Adam Gussow – Beyond The Crossroads | Book Review – Blues Blast Magazine

Listeners are left to guess which form of the devil she is referring to — or perhaps the devil figure represents an over-riding sense of crossrkadsblues. Kick and Stomp showcases his talents as a modern virtuoso, a player American Harmonica Newsletter praised for exhibiting the sort of “[t]echnical mastery and innovative brilliance that comes along…once in a generation.


I’ve posted the original below, followed by a few of those videos. The second is for all other customers Canada, Mexico, UK, Europe, and all other international addresses. The final section will certainly generate plenty of discussion. Hakan has gone on to become one of the most creative and prolific blues harmonica video creators on YouTube.

University Of North Carolina Pr ess.

The pastors turned to fire and brimstone, calling out the devil lurking in blues music, hoping to save souls and their financial future. To purchase a CD which I ship to you in real timeplease hit one of the following links. The author asserts that it was guitarist Ike Zimmerman, not Legba, who mentored his young protege, turning him crossroafsblues a guitar master after many late night sessions conducted in a local graveyard.

Please follow and like us: I’ll always be thankful to Hakan for that. But the devil image also enabled the musicians to boast of their own power, sexuality, and freedom in a way that escaped notice.

Adam Gussow – Beyond The Crossroads | Book Review

One month later he uploaded the following version. But Hakan didn’t stop there.

Here’s the music video of one cut from the album, “Crossroads Blues,” that my producer Bryan W. Also included are extensive Notes and Bibliography sections plus eight pages in chronological order listing blues songs with a devil theme. If you know of any more, or if you’ve created such a video yourself, please contact me asgussow aol.

The focus then shifted to the guitar players once that instrument began crissroadsblues gain prominence. Details Add To Basket. Just me in the studio–and of course, hamming it up on location, as people do when they make music videos: Kick and Stomp MP3.


It’s scary how quickly and far ideas travel in cyberspace!: Can you hear what he’s done? Hakan’s quick and brilliant transformation of my first version gave me a kick in the pants and made me want to up the ante. Those fruitful years serving as Mr. Readers will be compelled to revisit some classic tunes to hear the songs with fresh ears, ready to garner new meanings based on the many forms of the devil illuminated in this work.

Finally, he looks at the successful branding of the Crossroads theme by the city of Clarksdale in a concerted crossroadsblhes to establish the area as the center of blues tourism in the Mississippi Delta region.

Within two weeks, in mid-Junea fine Swedish player named Hakan Ehn had uploaded the following.

Adam Gussow — Beyond The Crossroads. Kick and Stomp showcases Gussow in an unexpected but logical setting: Early attempts were made to counteract the fiddle, which could, in the right hands, whip people into a dancing frenzy.

The early blues musicians had to be careful with the lyrics and imagery they used in songs so as not to offend any part of the white power structure in the rural South.