Musicology [Joseph Kerman] on *FREE* shipping on qualifying offers. With this book, Joesph Kerman establishes the place of music study firmly in the art music–with which musicology is tradtionally equated–but also sometimes. As a writer, the American musicologist Joseph Kerman, who has died aged 89, brought the highest standards of scholarly rigour and precision.

Author: Gajora Tygorr
Country: Ukraine
Language: English (Spanish)
Genre: Software
Published (Last): 13 January 2015
Pages: 415
PDF File Size: 3.33 Mb
ePub File Size: 1.98 Mb
ISBN: 547-9-51444-220-1
Downloads: 81384
Price: Free* [*Free Regsitration Required]
Uploader: Zulujas

His doctoral thesis on Elizabethan madrigals was published in and was notable for contextualizing them in the preceding Italian madrigal tradition. And he comments on such various subjects as the amazing absorption of Stephen Foster’s songs into the cannons of “black” music, the new intensity of Verdi research, controversies about performance on historical instruments, and the merits and demerits of “The New Grove Dictionary of Music and Musicians.

He is survived by his brother, the noted bassoonist George Zukerman, his son Peter Kerman, his daughter Lucy Kerman, and five grandchildren: The digital Loeb Classical Library loebclassics. Thanks for telling us about the problem.

Subscribe to receive information about forthcoming books, seasonal catalogs, and more, in newsletters tailored to your interests. To see what your friends thought of this book, please sign up.

As examples, he presents fascinating vignettes of Bach research in the s and Beethoven studies in the s. Described in The Grove Dictionary of Music and Musicians as kermman defining moment in the field”, [1] the book has been credited as helping to shape a ” new musicology ” that is willing to engage with feminist theoryhermeneuticsqueer studiesand post-structuralism.

Contemplating Music

You may really enjoy the topic. He then joined the faculty of University of California, Berkeley where he became a full professor mudicology and was chairman of the music department from to With this book, Joseph Kerman establishes the place of music study firmly in the mainstream of modern intellectual history.

Adrian Stevenson added it Jun 04, There, they conclude that “the usual obituary language would not work” [16] and continue:. Volume 65, No 6. He sketched the work of prominent scholars and theorists: Books by Joseph Kerman.

  BC807 SMD PDF

Joseph Kerman obituary

It will spark controversy among musicologists of all stripes and will give many musicians and amateurs an entirely new perspective on the world of music. Joseph Wilfred Kerman — born Zukerman — – was an American critic and musicologist. Gabriel marked it as to-read Nov muiscology, Views Read Edit View history.

March Short pages 6 x 9 inches North America only. His insistence that the methods of musicology should serve the ends of criticism, first expressed in the article A Profile for American Musicologywas equally controversial. Goodreads helps you keep track of books you want to read. Meyer, Heinrich Schenker, Milton Babbit, and many others. The Art of Fugue examines JS Ketman exploration of the contrapuntal possibilities of a single theme.

Aug 13, Stockflyer rated it did not like it.

Joseph Kerman obituary | Music | The Guardian

He continued to work on Elizabethan music, producing an outstanding study for the New York Review of Books of Byrd’s peculiar status as a Roman Catholic musiccology a Protestant regime. InKerman moved back to Berkeley, where he remained until his retirement in He treats not only the study of the history of Western art music—with which musicology is traditionally equated—but also sometimes vexed relations between music history and other fields: Harvard University Press Amazon.

He maintained an interest in the English madrigal composer William Byrd throughout his career, and wrote several influential monographs on his work.

Show 25 25 50 All. But the fact that he was probably the only keerman academic regularly included in dictionaries of quotations — for his description of Puccini’s Tosca as a “shabby little shocker” — points to Kerman’s other role, as a remarkable critic and proselytiser.

Rajabu Mohamed added it Jan 09, jkseph In Kerman’s eyes, mueicology application of analysis marked a failure of critical judgment. No trivia or quizzes yet. It marked the beginning of jooseph long, fruitful relationship with English Golden Age music in general and the music of William Byrd in particular.

Unlike many of his colleagues, Kerman was krrman that thinking musicolgoy writing about music was too important to be left to academics. Joswph nonsense books, mo …. John rated it really liked it Mar 29, Joseph Kerman held many honors among his most cherished being tapped to give the Faculty Research Lecture at UC Berkeley, the highest peer accolade for a Berkeley scholar.

  CROC AND THE FOX EVE LANGLAIS PDF

It will spark controversy among musicologists of all stripes and will give many musicians and amateurs an entirely new perspective on the world of music. Musicology Write All These Down: In he published Contemplating Music: Want to Read saving….

The first was aimed at his peers in musicology; the second a genial meditation on the concerto form aimed clearly at the general reader, which underneath its almost folksy manner concealed some penetrating insights. He was also a teacher at American and British universities for more than 40 years.

Together they hosted opera singalongs, elegant dinners, and dance parties at which Joe played jazz piano, enjoyed gardening, dog shows, and shared political intrigue. Kerman sees and applauds a change in the study of music towarda critical orientation, As examples, he presents a fascinating vignettes of Bach musciology in the ‘s and Beethoven studies in the ‘s.

From to Kerman held the Charles Eliot Norton Memorial Chair at Harvard Universitywhere he gave a series of public lectures on the importance of approaching musical texts and performances via a ” close reading ” similar to that used in literary studies, a theme that was central to many of his writings. Kerman, the son of an American journalist, was born in London and educated at University College School there.

He constantly challenged conventional musicological assumptions across his more than half-century career in an attempt to stimulate more profound academic discussion about music in the discipline. Producing convoluted explanations of musical mechanisms with the aid of sophisticated analytical tools he felt was a waste of time: Opera and the Morbidity of Music is a collection of essays for the general reader that points to the falseness of the recurring belief that moseph music is about joselh die: