Temele deocheate ale timpului nostru. Front Cover. Luca Pitu. Paralela, – pages Author, Luca Pitu. Publisher, Paralela, ISBN, exert an influence, intr-un volum recent, Luca Pitu soloseste sintagma “grupul de la Iaşi” (Luca Pițu, Documentele antume ale “Grupului de la Iaşi (Iasi, ). Read 50 publications, and contact Luca Canetta on ResearchGate, the École Polytechnique Fédérale de Lausanne. A.F. Pitu. Politecnico di Milano. Projects.

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Describe harmony and you’ll be breathing – on prescription – the airseptic exhaled by Aristurtle and Vasari. Your transparent your self Narcisse, m’a b ime. You can’t tell what’s going on in Magritte’s paintings, can’t make stories out of them. For the syphilistine, oitu kitsch object is an angelic sign which protects him from himself, a symbol of gentle possession. Indeed, why would you? Kitsch links the represented masses and their political representative. But don’t make it desirable, for it’s already possible – make a gewgaw out of yourself.

This wind sweeps concentration way: Who’s there to weep it? The kitsch object devours the surroundings: The only way to narrativize them is to tell the story of your own interpretation of Magritte’s paintings. There is no way back from kitsch. It is naked force tamed by numbers. It’s so easy to contract nostalgia for the remote times of the avantgarde. Idyllique dieu, ce theos-telos de la technique. All these are stories about how we can’t make stories.

So kitsch presents the unrepresentable, elects governernments, rules with a ,uca fist. And their business goes that well in spite of their accusations and because of them. Then let’s push hardships. Gott ist tot – what’s to be done?

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Kitsch engineers the distance it has to be perceived from, together with the continuous attraction it exerts, that gently undermines that distance. Pluck out your taste, castrate yourself with Occam’s razor, make theory possible.

Nature knows better than kitsch and what she does not know better, she forgets ; it simply lacks this possibility – no color combination, no shapes in nature are kitsch. Taste hyperhates the many.

As a matter of taste, the global’s split between the hyperreal Atlantiquity and the syphilistine lucx. Il nous faut deux guerres, et, puis, un Daguerre, pour nous en sortir.

Unless you hide – under the crimson moving wounds or under the clean sheet of freckled skin – the scars with which history has marked you, you’ll be in the arrieregarde of the avantgarde. Coito, ergo sum Luca Pitu disait-il, quoi?

It buries experience in velvet coffins not lucw be open – no one should open that canned void. Moly’s true and Moly’s blue, she brings relief against inhuman metamorphosis, she’s blue all the way down. The latter is peripheral to the former.

Their phenomenology builds a secure bracketing out of my own taste lucw not the taste-already-in-statement, lkca judgement – but the felt taste, the substantial basis of the statement that falsifies its ground.

Taste as a faculty – like imagination or memory – is that which lacks in the process of cutting phenomenological ways through kitsch. Kitsch is the heroin and heroism of the masses.

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Simone Boué, Emil Cioran, Luca Pitu

Your transparent your self Narcisse, m’a b ime Publications: But easy going Moly does not pay rent in Atlantiquity this hints to what you know lcua Atlantiquity, to which I can’t attend verbally ; she’s before that, between you and that remote improbability which is the land of the avantgarde: Fearful angels, piitu by syphilistines: You live a kind of quiet knowing that it is there, whatever may lucaa to this exhausting, cruel, and cold world. We’re bullies of bliss, we don’t murmur, we state.

However, gadgets are too artificial the most artificial, to be precise, to be found or lost under this sky to be recyclable. It tames, it brings the quiet the one sought afterand happiness in the heart of the syphilistines and delivers them to their elected leaders. They’re all mad in their crave for purity; on top of, avantgarde is crazy.

Exquisite Corpse – A Journal of Letters and Life

It is taste that which bring naturaleness in the higher states of contemplation and the subject to the understanding of its piyu. Their adoring swallowers, the syphilistines, suffocate and smile, groan and buy.

Blue Moly in improbable fields.

It can be perceived in a corner or on a shelf, conveniently far away.